Sharing Lungs - Deftones Online Community

Koi No Yokan thread

Started by Vesanic, Sep 10, 2012, 11:17 PM

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Electron§

Quote from: Jerry_Curls on Nov 30, 2012, 11:49 PM
Deftones will never win. When White Pony came out, people were talking shit about how stupid tracks like Teenager, RX Queen, shitty vocals on Elite, Digital Bath being gay, etc etc... Then they try and go back to basics and come out with S/T. People bash it because it isn't as experimental as WP. While writing SNW, Deftones tease people with the fact that they are going to try new sounds and they did! More positive sounding, spacey songs, but still have to include the typical CHUG CHUG MOSH PIT songs because the old fans kept complaining that they were getting soft. Then DE comes out and kind of go back to basics again, but still continue to thrive with that sound of SNW, but production is million times better! People still want more experimentation and then KNY comes out. New vocal style, way more keys and effects, consistent production on tracks to make it a cohesive album, yet people still fucking complain!

I love this album. It has a great balance of heaviness, spacey, droney, shoegazy, beauty, jump up-and-down in the pit kind of songs, experimental, etc etc. What else do people want? They're getting older and still making great music. 7 albums in, b-sides, covers, and we'll still get more from these guys. Yes, there some things I wish were different, but I'm not in the band, so what can I do?

I never really heard anyone talking flat out shit about White Pony, but who ever said "Teenager", "RX Queen", or "Digital Bath" were gay needs to be shot in the throat with a rifle.

And the reason I complain about KNY is not because I want another "Hexagram" or another White Pony or the same thing over and over, its because I just *don't like this direction* personally. It sounds kind of un-thought out and delirious because of its sudden violent divergence from the few defining elements present in the first four albums. Those original albums all had some kind of indescribable tonal thread connecting them even though they were really unique. If they had chosen a direction that fits snugly into the original tone, (That was once again present in four and a half albums, so you cant really say I want more of one thing because they were all still different) or maybe just chose Terry again and taken more time to work, better songs would have been in KNY's place I assure you.

.....But they said fuck off to that formula on Diamond Eyes and have since gone the same way on KNY. Making shit that doesn't sound like Deftones. I don't care if its heavy or super dark. It just has to sound like THEM. A song like "Swerve City" back in 95, 97, 2000, 2003, or even 2006, would not be caught as even a goddamn b-side on a Deftones record. That would be a song made by the pussy metal bands we scoffed at as we enjoyed our bad ass Deftones.

DeftonesNZ

I think Nick get's an unfair lot of blame, I think no matter who produced the last two records they would have been similar tonally just because of the huge effect Chi's accident had and how it made them grateful for everyone,The music still sounds great i just think some people are struggling with the more positive tone because they like the dark moody deftones because they themselves are moody that being said there are people who just don't like how it sounds sonically which is fine too everyone's allowed an opinion but when someone says it "Gay" or "pussy" that just shows they have some maturing to do and from then on anything they say has no weight to me.

Electron§

#11262
Quote from: DeftonesNZ on Dec 01, 2012, 10:13 AM
I think Nick get's an unfair lot of blame, I think no matter who produced the last two records they would have been similar tonally just because of the huge effect Chi's accident had and how it made them grateful for everyone,The music still sounds great i just think some people are struggling with the more positive tone because they like the dark moody deftones because they themselves are moody that being said there are people who just don't like how it sounds sonically which is fine too everyone's allowed an opinion but when someone says it "Gay" or "pussy" that just shows they have some maturing to do and from then on anything they say has no weight to me.

I think though about 50% of it is Nick. I kind of learned this from producing my own music, think about how much sonic texture a song has in terms of what impression you have of it when its unproduced. Now think about the flipside of it, once its produced and has tons of effects and filters on it, it comes off almost completely different because the notes have become distorted to some extent by sounding cleaner or certain parts being more pronounced. So yes, Nick does have some part in it.

And I wouldn't exactly say I want "moodiness". I can listen to a song like "Ever" by Team Sleep, or "Gift", or "Street Carp", which are all pretty upbeat or not exactly negative in some way. They aren't all evil and mysterious sounding, and I still love them. But, as I said, there's just something that I can't really explain about those first four albums (and some of Saturday Night Wrist) that makes them different. It has nothing to do with what the sad/happy thing. Its much deeper than that.

You are correct in retrospect though that maybe I should not have used crude terms to describe the music like "gay", "pussy", etc. because that does weaken the credibility of the serious argument Im trying to get across. But how better can I describe it? They sound like 30 Seconds To Mars, (modern) Alice In Chains, Bush, all the artists I would (in the presence of people I know in real life) say sound "pussy", etc. I'm merely stepping away from the actual bulk of my thought out opinion and devolving to a more casual and unintelligent mode of calling out what I don't like because there's not actually a name for what Im trying to describe. Pop metal? Modern alternative metal?

DeftonesNZ

Yeah get what your saying wasn't aimed just at you , I agree that Terry Date knows how to produce Deftones music my thought is that he wouldn't change the style and tone of the music as some people expect the guys have said in interviews that Terry gave like no input when it came to writing he basically just waited till they had done it then recorded it , The change in tone just happened to occur on Nick's first record which makes a lot of people blame him for making Deftones go soft when in the reality it was Chi's accident that changed their outlook on life.I would love to see how Terry would go now with them I wonder if they would keep the same fast work ethic i'm sure Terry would make them sound amazing as usual i'd just be worried they'd slip back into the whole 3-4 years between albums deal.

from_musings

#11264
about terry-

http://www.infinitelooper.com/?v=R0w3xzcovn8&p=n#/94;190

looking at clips how nick works with singers,i just have a feeling that he has opinions about how melodies in songs should be, more involved in the song writing. a lot of stuff on d.e and kny doesn't sound like chino melodies. while terry let deftones do the parts of their own and he helps them with what should be left out and what parts stays, more about structures kinda guy. "no input" is a stretch i think

xToxin

I can't believe (well I can believe it) that people compare this album to White Pony. It's such a fucking tired comparison. IT sounds nothing like the album. I've even heard some people comparing it to ATF saying it sounds like it. I just don't get the overwhelming praise of the album.

DeftonesNZ

I don't get the comparisons either ,I hate it when people feel the need to compare it to something,although i sometimes do it myself lol mainly to try describe it to someone but with Deftones you usually have to combine a couple of albums to create something close and even then that still doesn't cover it.

from_musings

Quote from: DeftonesNZ on Dec 01, 2012, 12:18 PM
I don't get the comparisons either ,I hate it when people feel the need to compare it to something,although i sometimes do it myself lol mainly to try describe it to someone but with Deftones you usually have to combine a couple of albums to create something close and even then that still doesn't cover it.

lol

DeftonesNZ


wheresmysnare

Quote from: DeftonesNZ on Dec 01, 2012, 12:18 PM
I don't get the comparisons either ,I hate it when people feel the need to compare it to something,although i sometimes do it myself lol mainly to try describe it to someone but with Deftones you usually have to combine a couple of albums to create something close and even then that still doesn't cover it.

Issues since WP:

Stefs super low guitar, which sometimes feels like a big syrupy synth sound rather than an actual guitar, which sucks.

Chino once had full command of his voice and could still sing aggressively and scream normally and transition between the two with ease, gone are those days.

Abe ditching the tight snare drum sound, he's gone for a more fuller sound now, which doesnt cut through the mix as much.

Lyrics going from abstract to literal

General overall move towards a more commercial sound (Chino takes credit for this)

All that said, I still love having new Deftones records.

jciraheta

yea i dont like the comparasion either, .. i just like KYN period.

from_musings

i think chino's screams are a bit weak and sounds broken and strained today.or at least when they recorded kny. they were ok on d.e.. not great, but ok... sometimes when hearing them on this record it's almost that I wish he'd skip them. i also get the feeling like he unwillingly performs them, just because it is expected of him. and then we have a strange situation where he screams but doesn't want to, and we don't want to hear it but have to listen to it. it may sound a little overdramatic, especially since I like the album, but chino's vocals and steph's riffs are a weak factor on kny imo. til next time, I wish that the two main members are at their peak and bring their a-game,especially if they're gonna continue the less emotional path. i'm not a nick fan but his echos and stuff are nice here.. he sounds like he's having fun in the studio unlike the others. for the others it's just like a normal day at work

Jerry_Curls

Quote from: Electron§ on Dec 01, 2012, 10:05 AM
Quote from: Jerry_Curls on Nov 30, 2012, 11:49 PM
Deftones will never win. When White Pony came out, people were talking shit about how stupid tracks like Teenager, RX Queen, shitty vocals on Elite, Digital Bath being gay, etc etc... Then they try and go back to basics and come out with S/T. People bash it because it isn't as experimental as WP. While writing SNW, Deftones tease people with the fact that they are going to try new sounds and they did! More positive sounding, spacey songs, but still have to include the typical CHUG CHUG MOSH PIT songs because the old fans kept complaining that they were getting soft. Then DE comes out and kind of go back to basics again, but still continue to thrive with that sound of SNW, but production is million times better! People still want more experimentation and then KNY comes out. New vocal style, way more keys and effects, consistent production on tracks to make it a cohesive album, yet people still fucking complain!

I love this album. It has a great balance of heaviness, spacey, droney, shoegazy, beauty, jump up-and-down in the pit kind of songs, experimental, etc etc. What else do people want? They're getting older and still making great music. 7 albums in, b-sides, covers, and we'll still get more from these guys. Yes, there some things I wish were different, but I'm not in the band, so what can I do?

I never really heard anyone talking flat out shit about White Pony, but who ever said "Teenager", "RX Queen", or "Digital Bath" were gay needs to be shot in the throat with a rifle.

And the reason I complain about KNY is not because I want another "Hexagram" or another White Pony or the same thing over and over, its because I just *don't like this direction* personally. It sounds kind of un-thought out and delirious because of its sudden violent divergence from the few defining elements present in the first four albums. Those original albums all had some kind of indescribable tonal thread connecting them even though they were really unique. If they had chosen a direction that fits snugly into the original tone, (That was once again present in four and a half albums, so you cant really say I want more of one thing because they were all still different) or maybe just chose Terry again and taken more time to work, better songs would have been in KNY's place I assure you.

.....But they said fuck off to that formula on Diamond Eyes and have since gone the same way on KNY. Making shit that doesn't sound like Deftones. I don't care if its heavy or super dark. It just has to sound like THEM. A song like "Swerve City" back in 95, 97, 2000, 2003, or even 2006, would not be caught as even a goddamn b-side on a Deftones record. That would be a song made by the pussy metal bands we scoffed at as we enjoyed our bad ass Deftones.

Being part of the Deftones community since I was 12, I have seen a lot of opinions about every album. I was just sharing some views I've seen over the years.

I definitely see where you are coming from, but this "sudden divergence" in their sound isn't unexpected to me. Ever since DE, they've been constantly talking about how they approach their music differently, happier times these days, etc etc. I mark SNW as the start of their new sound and that was what...6 years ago? I'm sure you could've seen this coming sooner rather later. I'm not trying to insult or anything, I just feel like this sound has been expected since then.

Trust me, I'm not saying KNY is perfect. I would love for Stef's guitar to be heavier sounding if hes going to be using an 8string guitar. I want to my brain to feel pummeled by it. I want more experimentation ala Crenshaw/FOD, everyone seems to love Entombed and I don't (haha), but there are some really great things on this album. Go back and listen to Crosses and then KNY. I love how Chino's singing/tone is more in my face. At first when I heard Leathers, I didn't like it, but now I do. I would be bored if he continued with the same Team Sleep, S/T (even though that is my favorite) style. I love the use of outros, letting the songs just continue and be super heavy (Gauze's ending is one of my favorite parts of the album) Abe's drumming still gets me.

I can't wait for their next album.
..Yeah don't go there,

I let you get to me

yeah yeah.

DeftonesNZ

I think Stephens riffs are still good i would just like to hear a more noticeable change in notes sometimes he tends to just play the same area and the changes are hard to pick up so it just sounds like he's just playing one note constantly

Alxn

Well, i'm not following the discussion around here, i'm sorry for that, i will not read anything above me anyway, because i'm freaking lazy.
Whatever; are we not getting any b-sides on koi no yokan? its a shame if we're really not, I was expecting for that. Can anyone tell me something about it? hope you understood me! peace!

DeftonesNZ

No Chino said no b-sides and no special editions ,they did plan to do some covers and had time booked but they had to cancel because they just didn't have the prep done,Although they might do some covers or something for another occasion like record store day or something

RoyalDeftonicBoy

Quote from: xToxin on Dec 01, 2012, 12:15 PM
I can't believe (well I can believe it) that people compare this album to White Pony. It's such a fucking tired comparison. IT sounds nothing like the album. I've even heard some people comparing it to ATF saying it sounds like it. I just don't get the overwhelming praise of the album.

Watch out! Some people might hate you if you dont eat all the shit deftones feed you! LOL Im with you all the way buddy.

TheShade1989

Personally, the comparison I make to WP is because it just gives me the same feel, but with the optimism and lyrical style of DE.

And I agree with from_musings, his screaming isnt like it used to be, it's more like shouting now in my opinion, but I dont blame him. I dont imagine he has a flawless technique for screaming, and after all the damage he's done to his voice over the yrs, I dont expect him to make another Hexagram-style song.

As for the Terry vs Nick thing, I'm not gonna comment on who I think does better because I dont really understand that kinda thing. But what I do know is that they all think Nick is great to work with and it improves their work ethic or gets them more focused on the music. So whether you hate it or not, it's safe to assume they prefer the way he does things or the effect he has on them wen making music. Otherwise they wouldnt bother, and we'd have a completely different album written and recorded in a completely different way. To some ppl that'd be ideal, but it is what it is.

ominousnimbus

Three weeks in... still playing this nonstop in the car, whereas I'd already started to mix other records in at this point with SNW and DE. Still feel it's their best effort to date and that Rosemary is the best song in their catalog.

Def Till End

KNY is above S/T for me. S/T has some great songs but it never felt like a cohesive album. KNY may be less heavy and possibly even more simple than past efforts but at the very least it is flowing and cohesive.