dont now if this was posted here before, if so then im sorry.
Deftones' Diamond Eyes Is Everything We Didn't Dare Hope It Would Be
By Johnny Firecloud, March 18th, 2010
For a band pushed to the brink by the tragic events surrounding bassist Chi Cheng's departure, it would be within reason for the Deftones to release a transitory, unevenly-footed album in the wake of their indefinitely lost brother. What we're given instead is Diamond Eyes, a brilliant and fiercely colorful collection of tracks that finds the band reaching a new stage of evolution, delivering the most progressive, dynamic work of their careers.
Rather than dive into righteous depression following Cheng's accident, the band scrapped the oppressive & angry album they'd been working on prior (Eros) and focused on their own survivalism. Dwelling on the darkness would've likely resulted in the band's demise, particularly had they tried to tour behind the material they'd just written with Chi. Diamond Eyes was recorded in two months with producer Nick Raskulinecz, with the band shunning the meticulous digital comforts of Pro Tools in favor of writing songs together as a band again, practicing them "a million times 'til they were perfect" in order to achieve a more raw and "personable" sound. The result is an eleven-track staggering success, defying expectation and leaping forward with optimistic, ambitious new fangs.
Surging from the word go, the title track lifts off with churning sexual ambition before a chorus that soars in gentle earnest before diving back into the groove. Chino feigns delicacy and seduction, with momentary guttural shreiks between verses. There's hardly a noticeable transition between Diamond Eyes and Royal, a track brimming with rhythmic punchiness and explosive energy. Following a verse and chorus, all else falls away as a solo bass grind rises for just a moment before the song explodes once more, Moreno playing off his own vocal with alternating screams and the signature vocal caress he's continued to build on over the years. After a spine-snapping groove pulls you from the progression, the final forty seconds are a tremendous, incinerating ray of supernova starlight – Chino's screams reach inhuman levels, the crushing rhythm leaning in on each seventh count, holding an extra beat that feels like falling forward in a mammoth sprint.
There aren't many albums that shred any doubt of excellence by the third track, but the opening moments of CMND/CNTRL confirm the ferocious seducing intent of Diamond Eyes as a whole. Moreno's percussive off-time barking-jeer delivery is as mean as anything he's laid down before, and any question of Deftones' ability to rise from devastation and continue their evolution is laid to rest by the time the airtight labyrinthian rhythmic configurations of the chorus lay waste to expectation.
Quicksand alum Sergio Vega steps into his new role with all the ambition and intensity of a man who knows he's got impossible shoes to fill, and he's given various moments to shine throughout the album. Had the band continued a linear path with the bombastic melancholy of their previous work, the new low-end influence would undoubtedly draw numerous comparisons to Chi and message-board mercenary comparative critiques for years to come. Hell, that's bound to happen either way, but the brooding doom has taken a backseat to aggressive fantasy with rays of blinding uptempo brilliance, and to great effect; Diamond Eyes isn't an album devoted to mourning or dwelling on "keeping the faith" in their fallen brother's absence. This is a sharp-angle evolution, an expansion, a revitalization that leaves little room for critical doubt as to whether the Deftones' core has been scarred too deeply by their loss. In fact, the album's damn good supporting evidence that true growth arrives through tragedy.
For example, Beauty School turns a potentially downtempo jam into a sadistic kind of love song, gloom supplanted by a poetic, darkly passionate thunderstorm dream. I like you when you take off your face, put away all your teeth and take a swing at me, Chino delicately croons before rounding the corner to a swaying, floating chorus that evokes infatuation and romantic drunkenness. Comparisons to the dark masterpiece of White Pony will undoubtedly abound in flaccid grasps for referential familiarity, but only the base formula of Prince nods back to that era, in a Digital Bath-meets-Change sort of way. That is, until a minute thirty into the track, when drummer Abe Cunningham signals a double-time shift and all sorts of new-territory hell breaks loose.
It's fitting that "floating underwater" are the opening words to Sex Tape, a dreamlike exploration of subterranean, minimalist subtlety through two verses before blooming into a bridge & chorus as beautifully melodic as anything in their formidable catalogue. Singular, repeating two-count tom hits frame the next verse as Moreno waxes night-drive romantic; Cruising through the city after hours with me / fusing all our powers... It's a hard left after the brutal Guns! Razors! Knives! of Rocket Skates, violent imagery laced through a racing alt-metal riff that knocked audiences on their ass last year when it was debuted live.
After the gently progressive 976-Evil – featuring an open throated high-end chorus laced with heartfelt undertones, album closer This Place Is Death strikes the ear like an indirect reflection on the possibility of what may have been, a looming danger embedded in spiraling aggression.
Refusing to hide behind the touchstone familiarity of their previous albums, these Sacramento rockers have obliterated any notion that they've been irreparably weakened by Cheng's departure. He's undoubtedly strong in their hearts and thoughts, but rather than dwell on the pain the Deftones have risen to remarkable new heights with an album that surges into the light and establishes promising new horizons.
http://www.antiquiet.com/reviews/2010/03/deftones-diamond-eyes-review/ (http://www.antiquiet.com/reviews/2010/03/deftones-diamond-eyes-review/)
Wow, great review. Too excited now. :P
Thanks for this! Seems like a good amount of people have heard the album.....
EXCELLENT!....... apart from the over-done writing in the article. I cannot fucking wait...
I cant wait to hear CMND/CTRL
976-Evil
I say!
"I like you when you take off your face, put away all your teeth and take a swing at me."
Lyrical divinity.
Beauty School and Sextape sound awesome. This is the best review I've heard. I wanna be one of those ppl who get to hear it early.
Holy Guacamole.
"the brooding doom has taken a backseat to aggressive fantasy with rays of blinding uptempo brilliance, and to great effect; "
You know, this is vibrating. I LOVE the downbeat shit. I love Deathblow, etc..
But I'm really excited at this idea. This change. And I didn't think I would be.
Diamond Eyes didn't win me over on first listen, you know? It wasn't what I was expecting.
But maybe that's okay.
I really look forward to the possibilities.
And I think I should post this, just so people don't think I'm all emotional.
(http://www.fuzzypuzzle.com/.a/6a00d8341c3e2f53ef0115714b9275970b-800wi)
Mmmm.
I am emotional, though. And I love you all.
And boy am I drunk,.;
Quote from: TheShade1989 on Mar 19, 2010, 07:31 AM
Beauty School and Sextape sound awesome. This is the best review I've heard. I wanna be one of those ppl who get to hear it early.
same here
wow, this is a nice review. I'd love to know this is the truth.
I couldn't even get through half of this review. It just makes me want the album too much, I need to keep my mind of this otherwise it will dominate my thought until May.
that thing almost made me cry
im cumming everywhere....
thinkin beauty school is gonna be the one.
Thanks for the review. i think I already love the album. :)
Quote from: iceache on Mar 19, 2010, 07:19 AM
I cant wait to hear CMND/CTRL
I loved this one
good reading
thanks for the post!
"Chino's screams reach inhuman levels"
I can't wait!
Wow.. this guy really likes the album. I think I will too.
Well I'm glad this reviews says its so special because Eros sounded like the more interesting record. I still can't wait for that to come out and I hope this is interesting enough until Eros is released.
ummm... something to say, Diamond Eyes is one of their most experimental albums i`ve ever listened... it`s very dark, very melodic and at the same time, very optimistic!! we all know that Chi is inspired in this album and we clearly see that...!!! a heavier and darker album used to be eros... but now Deftones decided to take things to another level...!!! uumm, they told to some media that this album was like an easy going and optimistic album... and it`s really good! loved it! and I`ll support and defend this album to death , because they decided to think and reflex about the Chi`s situation, admire and support that!
Much respect!
In Rocket Skates.. you can hear the guy at the end talking if you turn it up.. wonder what its supposed to be.. maybe just the producer or some shit
This album is just fucking brilliant.
Holy that was a damn epic review.... bout to hear it.
This isn't ur conventional deftones album, they really kicked the writing up a notch, maybe sergio's influence in the writing process or the producer, once again, discovered a new side of deftones.
That was a DAMN good read. Fucking leak already. OP, out of curiosity, who does this reviewer write for?
Quote from: BLUMPKIN on Mar 20, 2010, 03:12 AM
That was a DAMN good read. Fucking leak already. OP, out of curiosity, who does this reviewer write for?
It has leaked lol.
Deftones rise from tragedy with the best album of their career.
by Johnny Firecloud
Mar 19, 2010
Diamond Eyes
May 18, 2010
For a band pushed to the brink by the tragic events surrounding bassist Chi Cheng's departure, it would be within reason for the Deftones to release a transitory, unevenly-footed album in the wake of their indefinitely lost brother. What we're given instead is Diamond Eyes, a brilliant and fiercely colorful collection of tracks that finds the band reaching a new stage of evolution, delivering the most progressive, dynamic work of their careers.
Rather than dive into righteous depression following Cheng's accident, the band scrapped the oppressive & angry album they'd been working on prior (Eros) and focused on their own survivalism. Dwelling on the darkness would've likely resulted in the band's demise, particularly had they tried to tour behind the material they'd just written with Chi. Diamond Eyes was recorded in two months with producer Nick Raskulinecz, with the band shunning the meticulous digital comforts of Pro Tools in favor of writing songs together as a band again, practicing them "a million times 'til they were perfect" in order to achieve a more raw and "personable" sound. The result is an eleven-track staggering success, defying expectation and leaping forward with optimistic, ambitious new fangs.
Surging from the word go, the title track lifts off with churning sexual ambition before a chorus that soars in gentle earnest before diving back into the groove. Chino feigns delicacy and seduction, with momentary guttural shreiks between verses. There's hardly a noticeable transition between "Diamond Eyes" and "Royal," a track brimming with rhythmic punchiness and explosive energy. Following a verse and chorus, all else falls away as a solo bass grind rises for just a moment before the song explodes once more, Moreno playing off his own vocal with alternating screams and the signature vocal caress he's continued to build on over the years. After a spine-snapping groove pulls you from the progression, the final forty seconds are a tremendous, incinerating ray of supernova starlight - Chino's screams reach inhuman levels, the crushing rhythm leaning in on each seventh count, holding an extra beat that feels like falling forward in a mammoth sprint.
There aren't many albums that shred any doubt of excellence by the third track, but the opening moments of "CMND/CNTRL" confirm the ferocious seducing intent of Diamond Eyes as a whole. Moreno's percussive off-time barking-jeer delivery is as mean as anything he's laid down before, and any question of Deftones' ability to rise from devastation and continue their evolution is laid to rest by the time the airtight labyrinthian rhythmic configurations of the chorus lay waste to expectation.
Quicksand alum Sergio Vega steps into his new role with all the ambition and intensity of a man who knows he's got impossible shoes to fill, and he's given various moments to shine throughout the album. Had the band continued a linear path with the bombastic melancholy of their previous work, the new low-end influence would undoubtedly draw numerous comparisons to Chi and message-board mercenary comparative critiques for years to come. Hell, that's bound to happen either way, but the brooding doom has taken a backseat to aggressive fantasy with rays of blinding uptempo brilliance, and to great effect; Diamond Eyes isn't an album devoted to mourning or dwelling on "keeping the faith" in their fallen brother's absence. This is a sharp-angle evolution, an expansion, a revitalization that leaves little room for critical doubt as to whether the Deftones' core has been scarred too deeply by their loss. In fact, the album's damn good supporting evidence that true growth arrives through tragedy.
For example, "Beauty School" turns a potentially downtempo jam into a sadistic kind of love song, gloom supplanted by a poetic, darkly passionate thunderstorm dream. I like you when you take off your face, put away all your teeth and take a swing at me, Chino delicately croons before rounding the corner to a swaying, floating chorus that evokes infatuation and romantic drunkenness. Comparisons to the dark masterpiece of White Pony will undoubtedly abound in flaccid grasps for referential familiarity, but only the base formula of "Prince" nods back to that era, in a "Digital Bath"-meets-"Change" sort of way. That is, until a minute thirty into the track, when drummer Abe Cunningham signals a double-time shift and all sorts of new-territory hell breaks loose.
It's fitting that "floating underwater" are the opening words to "Sex Tape," a dreamlike exploration of subterranean, minimalist subtlety through two verses before blooming into a bridge & chorus as beautifully melodic as anything in their formidable catalogue. Singular, repeating two-count tom hits frame the next verse as Moreno waxes night-drive romantic; Cruising through the city after hours with me / fusing all our powers... It's a hard left after the brutal Guns! Razors! Knives! of Rocket Skates, violent imagery laced through a racing alt-metal riff that knocked audiences on their ass last year when it was debuted live.
http://www.craveonline.com/entertainment/music/article/deftones-diamond-eyes-98517 (http://www.craveonline.com/entertainment/music/article/deftones-diamond-eyes-98517)